The Hole is delighted to present The Midnight Hour, a group exhibition organized by Scroll. The Midnight Hour is about nighttime rendered in landscape, domestic settings, still life, and portraiture. In these paintings, darkness is uniquely dimensional, with celestial blues and blacks composed of—and deepened by—a range of hues. Here you’ll find the coolness of the night sky offset by the warm incandes- cence of street lights, a shop window, or a billboard, and complemented by the silvery glow of the moon. Indoors it’s an LCD display, a candle, a shaded lamp.
The works depict all facets of the night, from nocturnal contemplation and solitude to after-hours festivi- ties, some barely glimpsed in the shadows, some vivid and bustling. Not all the subjects in these paintings appear to partake in the recommended eight hours of sleep. Instead, The Midnight Hour presents happen- ings mostly outside of the bedroom, from Dan Attoe’s moonlit foragers to Paul-Sebastian Japaz’s late- night cigarette smokers. Whether through interpretations of dreams or by picturing the people we become once the sun sets, the exhibition reveals all that goes unseen during the day.
The lineup of artists welcomes both new talent and familiar faces: Olga Abeleva, Dan Attoe, Jason Bir- mingham, Jose Bonell, Krzysztof Grzybacz, David Hamilton, Anthony Iacono, Paul-Sebastian Japaz, Claudia Keep, Sung Hwa Kim, Jean Lee, Lindsay Merrill, Susan Metrican, Keita Morimoto, Frances- co Pirazzi, Cait Porter, Nastaran Shahbazi, Masamitsu Shigeta, Aaron Michael Skolnick, Mai Ta, James Ulmer, and Mikey Yates.
